I Wanna Love Somebody but I Don’t Know How

I Wanna Love Somebody but I Don’t Know How

“Sucker’s Prayer” is the classic rock song buried on the synth-fever-dream that is the Decemberists' I’ll Be Your Girl, and it hides an extremely clever bit of thematic harmony. When the chorus comes in, supported by a literal chorus, it subverts standard tropes of unrequited or failed love by describing a non-existent one: I wanna love [...]

Don’t Ever Change, You Hungry Little Bashful Hound

Don’t Ever Change, You Hungry Little Bashful Hound

Few songs mix joyous sound, crushing heartbreak, and subtle humor more deftly than “14th Street,” the pinnacle of Rufus Wainwright’s Want One (2003). Wainwright’s show-tune-ready tenor sets the stage for dramedy from the song’s opening lines; honestly, I’m struggling to think of a more hilarious way to describe a lover than what Wainwright gives us: You’ve got [...]

A Break from Our Regularly Scheduled Programming

A couple of weeks ago, when I ended up writing about the only Dave Matthews Band album that I actively enjoy, I had intended to write about “The Frame I: Betrayal in the Watchtower,” the finale from I the Mighty’s 2015 album Connector. I love “Betrayal in the Watchtower.” It’s narrative and epic and overwrought in all [...]

The Horrible Sound of Tomato

The Horrible Sound of Tomato

50 years ago today, Paul and Linda McCartney released Ram and more or less invented indie-pop which, as origin stories go, seems definitionally impossible given that Paul was arguably the most famous member of the most famous band of all time,1 but if you disagree, go and listen to the catchy, weird, aggressively lo-fi Ram and come back to me. [...]

Welcome Home

Welcome Home

As some bands age they become parodies of themselves, a problem that Coheed and Cambria can never have because, since their inception, the band has been too ridiculous to parody. For the better part of two decades, Coheed songs have been telling the story of … honestly, I’m not quite sure. A massive intergalactic war, maybe? [...]

Chart Up Your Insides

Chart Up Your Insides

The Execution of All Things isn’t the first or only record to open with a bait-and-switch mix that comes in low, tricking you into turning up your stereo, only for you to get blown away when the proper levels finally kick in. But it may be the only one that has the courage to see the bit [...]

Styrofoam and Cellophane

Styrofoam and Cellophane

When I reviewed OWEL’s third full-length, Paris, in March of 2019, I could feel the energy of springtime humming throughout the album. It’s bright and vibrant and delicate and brash. It makes me want to go outside, to bloom and breathe, if you’ll accept the cross-scene metaphor. A year later spring was canceled. I packed up my [...]